I tried this “one second” test on Slate and found it entertaining but perhaps a touch too easy (even if I did miss one).1 So I decided to sit down and randomly go through my hip-hop (digital) crates and pulled out a set of 16 “real heads” songs just the hell of it.
One second is actually a decent amount of time to i.d. almost any song so I don’t imagine these are going to be that challenging for anybody but have some fun with it. Post your guesses in the comments and you can check your answers at the link at the end.
This past summer, I gave myself a goal to finally get back to making some new mixes. In particular, I wanted to create a new hip-hop mix and a multi-genre party mix. I loved making these “back in the day” which loosely translates into “before I was a dad and had a full-time job.” In a few days, I’m going to make good on half that promise by releasing Let It Whirl, the party mix (and the hip-hop mix will follow in a few weeks after).
To make room for these new mixes, especially since I’m selling them through my digital download store, I decided to “retire” two mixes I used to sell and make them available on Mixcloud.1
Groove Thing and Adventures in Rhythm were created in 2002 and 2003 respectively and Let It Whirl will stand proudly in their lineage.
I tend to ignore soul LPs (vs. 7″ singles) at my own peril but I’m glad I didn’t pass up this Barbara Mason LP when I saw it at the store the other day. Recorded for Philly’s Arctic label in 1965 (when Mason was only 18), it features her first major hit – “Yes, I’m Ready” – but I copped it because I wanted to hear what else was on here. It’s an interesting merge of styles, mostly R&B but also with a few conventional big band swing jazz tunes like “Misty” and “Moon River.” 1960s’ albums that mixed both jazz standards and R&B tunes weren’t that unusual but by the decade’s end, I always got the sense that these tended to bifurcated, especially as “soul” – as a genre category – gained commercial power.
I’m curious who backed Mason for the LP (if you know, holler) and heck, I’m not even sure who produced the songs on here besides Weldon McDougal. Great rhythm section, especially on Mason’s proto-funky recording of the Chris Kenner classic “Something You Got.” What’s funny is that the song reminds me of “Down Home Girl” and by coincidence, Alvin Robinson also covered “Something You Got.” .1 Considering that Arctic released nearly half the songs on the LP on single, it’s surprising this wasn’t one of them but you can find the other song I posted, the ballad “Girls Have Feelings Too,” on 7″. I’m all about the back-up “toooo-oooh-ooooh-ooohs.” Notably, this songs reminds me of another Barbara ballad: Barbara Lynn’s “Why Can’t You Love Me.”
For my money, Mason and Robinson’s versions are the best out there. ↩
File under irony…an artist named “Brenton” gets signed to Brent Records but they misspell his name on his first single for them. In Brent’s defense, Wood hadn’t yet become anywhere near a household name yet. He had previously only released one other song under his nom de plume (real name: Alfred Smith) and it wouldn’t be another year until he racked up two national hits – “The Oogum Boogum Song” and “Gimme Little Sign.”1
As far as ballads go, “I Want Love” is my favorite by Wood but unfortunately, it doesn’t always appear on his various “greatest hits” comps since it was released on Brent and not Double Shot (the latter released all his big hits). The opening is fantastic: the piano, the dreamy guitar, the sweeping doo-wop influences…it’s just gorgeous and that’s before Wood swoops in his yearning “I want loooooove.”
The flipside is a cover of Rudy Clark and Arthur Resnick’s “Good Lovin'” which most folks associate with the Young Rascals and if the discographic info is correct, Wood’s version appeared after the Rascals’. In any case, his cover is…just ok.
Interestingly, Brent reissued “I Want Love” – with Brenton’s name correctly spelled – in 1967, presumably after he was rising up the pop charts for Double Shot with “The Oogum Boogum” song. This time though, Brent put a different b-side on the single: “Sweet Molly Molone” which was much closer in feel/style to his Double Shot tracks.
Piece of trivia I never realized until researching for this post: Wood’s name was inspired by the tony Westside L.A. neighborhood of Brentwood. ↩
When I first started taping the Shades of Soul, I made a conscious decision not to do
them as podcasts, partially because I wanted to create a separate identity for them away from my pre-existing podcast series, The Sidebar. However, I’ve been taping SOS shows for over a year now and not coincidentally, The Sidebar has been silent for over a year now. It’s time I finally unite the siblings.
I’ve started to upload specific SOS episodes into the Sidebar feed (RSS or iTunes links). Unless by specific request, I don’t think I’m going to upload every single show (almost all of which are on available on both MixcloudandRadioSombra.org) but I’ve begun pulling out those shows I liked best.