ETTA JAMES: AN APPRECIATION

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Etta James was a singer who I always enjoyed on the periphery…in other words, I never made a concerted effort to really get that deep into her catalog but I understand, on a very basic level, that this was a Very Important Artist and not just because she sang one of the very best ballads ever sung in the history of people singing ballads. 1

So for this appreciation, I’m not going to try to pull off some “Etta James’s most important songs” post because I simply can’t claim to know this. I can, however, offer up some of her songs that I discovered over the years that I’ve enjoyed. Hope you will too.

Etta James: Leave Your Hat On
From Etta James (Cadet, 1973)

This was the first EJ recording I ever bought, mostly because 1) I thought the cover looked cool and 2) it sounded funky.2 Even then, I knew this was a bit of a departure for James in terms of her most classic Chess sides from a decade earlier but she sounded pretty good (I mean, it’s Etta James) and the L.A.-based band she rocked out with held it down pretty well too. This LP used to be a super-easy find (presumably since “At Last” fans couldn’t hang with it); definitely worth copping on the cheap.

Etta James: I’d Rather Go Blind + I Got You Babe
From Tell Mama: The Complete Muscle Shoals Sessions (Cadet, 1968)

“I’d Rather Go Blind” was one of two songs included on the infamous Soul Sides Black Label collection but it wasn’t to many years later that I realized she had recorded this song with the Muscle Shoals band. Funny enough, I was watching the pilot episode to the new HBO series, Luck and this song came out of nowhere during a scene. Seemed apropos.

James’s cover of “I Got You Babe” might as well make you forget that it’s a Sonny and Cher tune; the band is murdering it on the rhythm track and though James sounds mixed a bit low, she still sizzles.

Etta James: Stormy Weather
From At Last! (Chess, 1960)

My interest in the At Last! album wasn’t from the title song, it was actually from hearing her rendition of “Sunday Kind of Love” on…um…a Dockers ad. 3 And in finally listening to her most classic longplay, I discovered this absolute lovely version of “Stormy Weather.” I’m sure it’ll be in some khakis ad in the future.

Sugar Pie Desanto and Etta James: Down In the Basement Pt. 1
From 7″ (Cadet, 1966). Also on Go Go Power.

I heard this at Funky Sole when Miles threw it down and had no idea that Sugar Pie Desanto and James had ever collaborated. Love this squawking kind of R&B cooker.

  1. Seriously, I take it as a personal affront when lesser singers try to sing this. It’s beyond you. Don’t go there.
  2. This being the time in my life where “sounding funky” was good enough to warrant a purchase. I’m not dogging on funk – I love funk – but “sounding funky” is also what lead me to buy a shitload of middling fusion jazz albums. Don’t laugh, you know you did it too.
  3. Hey, I don’t care how milquetoast their image may be, you can’t front and tell me they have bad taste in music.

DON’T GIVE US NO BAMMER WEED

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Gabor Szabo and the California Dreamers: San Franciscan Nights
From WInd, SKy and Diamonds (Impulse, 1967)

“The above song is dedicated to the city and people of San Francisco” (decked out in red and gold…and not just for the Year of the Dragon).


Just a random observation/thought but music and sports are, of course, intensely personal but they’re also appreciated even better when others around you are just as passionate about it. So this past few weeks have been fun as hell, with almost everyone I know in the Bay catching 9ers fever.

ETTA JAMES: A GOLDEN VOICE GOES SILENT

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It seems apropos (morbid too, perhaps) but days after the man who discovered her passed away – that’d be Johnny Otis – Etta James died today. NPR has a remembrance.

Again, sorry that the site looks like a death roll right now but as I’ve said before, this is going to happen more and more amongst our soul heros.

Rest in peace, Etta.

THE JOHNNY OTIS SHOW ENDS ITS RUN

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One of the most important figures in L.A. music has passed; Johnny Otis, dead at 90.

If you ever wanted to understand just what made him so remarkable, here’s as good a place to start.

Once I come up for air from all this work, I’ll try to say more.

(In better news, just recorded Sidebar #21 w/ Syl Johnson. At least some of our legends are still with us).

JIMMY CASTOR: RIP

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I’m going to try to get a better post up soon but I did want to say that one of the things I liked about Castor is that he was one of the young Black musicians from uptown who go fascinated with Latin boogaloo and ended up recording a few of them on his debut album in 1967, including this cover of Joe Cuba’s “Bang Bang”:

OPUS 3: 72 TO 12

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So…this meme was making the rounds (again) on Facebook in recent weeks and I went back to check what the #1 song was during my birth week in 1972 and it was Gilbert O’Sullivan’s “Alone Again, Naturally.”

By sheer coincidence, I had just picked up a Spanish-language version of the song from Amoeba the other week (and believe me when I say: I very rarely find much by way of good used records from Amoeba). It’s on a 7″ EP of four songs, from a band that I think is Guatemalan in origin:

Opus 3: Otra Vez Solo + Sanson Y Daila
From 7″ (Omega, 197?)

Converted to Spanish here, “Otra Vez Solo” isn’t a huge departure from Sullivan’s original but there are these small changes which catch your attention, such as that spooky organ that’s mixed into the background. And the lead singer hits the right tone to match Sullivan’s laconic style.

The surprise for me came on the quality of the rest of the EP, especially the jaunty, jangling “Sanson Y Daila” which I presume is an instrumental cover of a vocal song. Overall, a fun and snappy tune, like a dessert you weren’t expecting to get but completes the meal perfectly.

LA REVIEW OF BOOKS PODCAST WITH SIMON REYNOLDS AND ANDY ZAX


One of the side projects I’ve taken on has been helping working on the podcasts for the Los Angeles Review of Books, both in terms of recording and engineering.

I’m very proud to direct people to this podcast between two good friends, Andy Zax and Simon Reynolds, talking about Simon’s Retromania, which has gotten praise for being one of the best music/culture books of the past year. I didn’t conduct the interview but I did all the post-production editing (and believe me, this one was a challenge) but all in all, I’m pretty happy with how it turned out and I think many of my Soul Sides readers will get something out of the convo.

Check out both parts of the podcast, here.

DAPTONE @ 10 YEARS


On my Sidebar wishlist would be a chat with Gabe Roth of Daptone about the label’s 10 years. I suspect that may not happen, if only because they’re hella busy and they’ve already done a lot of that commemoration on their own.1

To wit, there’s a feature on them in The Atlantic (which I haven’t had a chance to read yet) and then there’s this self-produced video as well:

Congrats to Daptone on their 10 years; here’s to another 10 and beyond.

  1. To be sure, Gabe, Neal and all those guys have been very generous to me with their time over the years.