Triorganico: Nana + Tempo De Amor
From Convivencia (Now Again, 2009)
Considering the â€œalternativeâ€ label Now Again is, â€œConvivenciaâ€ might be the most â€œalternativeâ€ release in their catalog yet. It’s part of the â€œnewâ€ Now Again for lack of a better explanation. Whereas they previously were known primarily for their reissues of regional soul from yesteryear, the label has really reshuffled their image over the last 18 months. New music from the likes of afrofunk musicians Karl Hector and the Malcouns (a side project of Jan Whitefield) and Mr. Chop with his spacey brand of psychedelic funk can be an easily understood extension of the preconceived notion of the Now Again brand. Their latest release from acoustic latin jazz trio Triorganico showcases the label’s refusal to be categorized as a one-trick pony.
Fabiano Do Nascimento gently strums his seven string guitar while Ricardo â€œTikiâ€ Pasillas provides the backbeat with syncopated percussion and Pablo Calogero woos you with various flutes and woodwind friends such as soprano sax and bass clarinet. Working like a singing group who could whisk you away with a breezy serenade by any of its members, the bandmates shift gears of lead instruments working as a harmonious conglomerate. No one overpowers their counterparts and instead choose to work cohesively as a unit.
â€œTempo De Amor,â€ in its seven-and-a-half minutes, builds into a jam frenzy. Starting out lightly with a tantric guitar riff and Tiki’s jaunty percussion, Pablo teases you with little flute stabs here and there before coming front and center to lead the pack. Midway through, Tiki starts to pick up the pace, feeding off Pablo’s billowy breaths of bliss.
Aside from the lengua del amor, they also tackle Moacir Santos’ â€œNanÃ£.â€ It’s one of two Santos numbers they perform on the album, both with a bossa flair. Pablo trades in his flute for a bass clarinet to guide the rhythm that sways your hips. Like dance partners who have been performing together for years, the trio really dance about well with one another on this track, especially between the guitar and clarinet, moving in sync with their proverbial footwork.
The album, I must say, is an excellent companion to the latest Waxpoetics (issue 36), the Brazil issue. Pop in the Triorganico CD (or vinyl), sit back on the couch or favorite recliner, and get lost in the rhythms from south of the equator â€“ which, when I think about it, is not a bad way to spend the evening after a long day of working for the man.