COVERS POWER PACK


As my dwindling finances can attest to, snapping up records with cover songs is bad habit sickness passion that I can’t/won’t shake. I’m sure there will be a Deep Covers 3 in the offering at some point in the near future but in the meanwhile, here’s a few highlights from the last few months.

The Power Pack: I Got You
From Soul Cure (Polydor, 1969)

Generation Gap: Family Affair
From Plays Shaft (RCA, 1972)

These both come from instrumental exploitation LPs, jacking contemporary hits of the time and giving them makeovers that, in most cases, are laughably weak. Occasionally though, you cross a few tracks that at least can hold your attention (though I would never suggest that either of these two are superior to their inspirations).

The Power Pack seems to have been a session band overseen by Nick Ingram, one of the better known UK library composers and this very much sounds in the vein of KPM or similar library labels. The UK Polydor version of this album goes for far more money than really makes sense to me but personally, I prefer the Canadian Polydor issue for having the superior cover art. In any case, their cover of James Brown’s “I Got You” has some slick, Hammond flavor to it and most of all, a strong drummer holding it down (albeit a bit “squarely”).

Generation Gap were American (presumably) and tackled R&B hits of the early ’70s, including a few blaxploitation tracks as the title suggests, but I thought their take on Sly and the Family Stone’s “Family Affair” was decent as far as instrumental flips go. Nice opening break and the sax is surprisingly uncheesy.

Byron Lee and the Dragonaires: Get Out of My Life, Woman
From People Get Ready, This Is Rock-Steady ’67 (Dynamic, 1967)

Derrick Harriott: Let It Whip
From Acid Rock (Crystal, 1982)

On the reggae tip, I pulled one off one of the Byron Lee albums I only recently got around to copping – the quite excellent Rock-Steady ’67 which I learned about from my man Michael Barnes. “Soul Ska” (as Michael noted) is the jam on here but it’s always fun to come across yet another cover of “Get Out of My Life, Woman,” especially one given a ska rhythm makeover.

Fast-forwarding about 15 years, we arrive at Derrick Harriot doing a surprisingly groovy cover of The Dazz Band’s classic “Let It Whip.” For real – I don’t think I really ever want to hear the actual original again but this reggae remake is totally working for me.

La Lupe: Bring It On Home to Me
From The Queen Does Her Thing (Tico, 1969)

The Exciters: Bring It Home To Me
From 7″ (Loyola, 196?)

I know La Lupe has quite the posse behind her and I can’t say I’ve listened to a ton of stuff from her outside of a handful of songs but everytime her shrill, cackling voice rings through on an English-language song, I think, “for the so-called Queen of Latin Soul, she mostly sounds like a novelty act.” And let me be serious for a sec here – part of why La Lupe can lay claim to the title is because there’s so little competition. The Latin soul scene had very very few women singers involved (unfortunately) so I suppose someone like La Lupe had a better shot at the title than, say, Noraida or the enigmatic duo behind Dianne and Carole and the Latin Whatchamacallits.

In any case, her singing on “Bring It On Home To Me” veers close to cringe-inducement (especially on her higher notes) but the fact that the song still manages to work is a testament to how good the source material is. Not that I’d want to hear it but I bet the Chipmunks could do a version of this and it’d still sound pretty good; the original arrangement and songwriting is so good, it can easily forgive less than stellar attempts at working with it.

I couldn’t close with this though and I decided instead to bust out a cover of the same song that I absolutely, unqualifiably adore – Los Exciters’ cover, all the way from Panama. Sure, no one in the group is touching Sam Cooke (and that pretty much applies to everyone in the world not Sam Cooke) but I thought their take on this song was done beautifully, especially the vocal harmonies. I have a few heavyweight pieces from this group but this 7″ b-side is easily the favorite thing of theirs I have.

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