OTIS GAYLE: WHENEVER YOU CALL

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Otis Gayle: I’ll Be Around (Studio One, 1971, 7″)

I love reggae covers that are mostly loyal to the original but the difference in rhythm is always just enough to give it a special, distinct feel. This is more sparse than the original but the essence of the song is still all here.

365 Days of Soul, #115

GRAB BAG – FEB. 2014

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Dagnabbit, I meant to do one of these for January but then the month up and flew by me and now it’s the end of February. Anyways…for this month’s grab bag, I’m still drawing from some leftovers from 2013 that I’m only now catching up on plus the usual assortments of recent arrivals and the like.

Art Farmer: Soulsides
From Gentle Eyes (Mainstream, 1972)

Ok…so I only just got this album recently despite the fact that it has a song called “Soulsides”. I mean, I’m pretty sure I heard […]

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REVISITS

Reflections

In my last Shades of Soul show, I included a few records that I’ve been waiting to share for a while. I thought I’d some additional details on a few choice tracks. Here’s the show again:

Shades of Soul EP 1.4 by Oliver Wang on Mixcloud

3:50 Michigan & Smiley: Tom’s Diner
From Reality Must Rule Again (VP, 1991?)

Cool Chris had this one waiting in the wings the last time I was up in the Bay; he […]

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SHADES OF SOUL EP 1.4: THE KITCHEN SINK

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The latest episode of Shades of Soul (broadcast live on Radio Sombra) is dedicated to records that I file under “the kitchen sink,” i.e. the weird and wonderful records whether we’re talking unexpected remixes/mash-ups, quirky covers, or just plain WTF tunes.

Shades of Soul EP 1.4 by Oliver Wang on Mixcloud

To see the playlist, visit our Radio Sombra […]

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93 TIL + MORE

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(93 ‘Til line from Hiero + Adapt)

Question from Morgan: What would you rank as the top three albums you enjoyed in the last ten years that would have surprised the guy you were back in 2003? Follow up: Same question, but for the guy you were in 1993.

Answer: The 2003-2013 question is hard to answer in the way you’re asking if only because 2003 marked an important shift in my thinking about/relationship to music. It was the year I re-embraced pop music in a profound way, […]

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